Theoretical bases of division of the art of Kazakhstan into periods

Abstract

Theoretical bases of division of the art of Kazakhstan into periods basing on the methods worked out by phenomenology, French “Annales School” (Marc Bloch, Lucien Febvre, Fernand Braudel and others), nomadic discourse of G.Deleuze and F.Guattari as well as on methodological bases presented in the works of Kazakh philosophy school (A.Kodar) are considered in the article.