Aspects of programming in Q.Qarayev’s symphonies (from the irst symphony to “Goyya”)

Abstract

The paper describes the conceptual approach to the genre of symphony, which has been conirmed by Gara Garayev’s works and compatible with the traditions of Romantic Age. On this basis, the composer’s tendency to colorful programming is found to be legitimate.In this regardthe First and the Fourth Symbols can be example. In the First Symphony (1943), the two levels of the program content and idea overlap. The fourth symphony «Goyya» (co-authored with F.Garayev in 1980), specializes in the intensiication of the «cinematographic symphonic» program, referring to the general plot, as the soundtrack musical material of the same feature ilm.