THE CRİTERON OF BEAUTY İN THE LYRİCS OF ASHUG ALASGAR AND SAMAD VURGUN

Abstract

The art of oral speech is a product of the idea of el, it promotes the wishes and desires of the people, their views on life, traditions and culture. Ashug poetry, which developed as a separate branch in folk art and engraved into the memory, is distinguished for its relevance.

Azerbaijan ashug art, which developed from XIV century and previous periods and entered the art field, became more mature in XIX century. During this period hundreds of Master ashugs from Tabriz, Karabakh, Gazakh, Borchali, Basar-Kechar districts of western Azerbaijan grew up, expressed the wishes and inner world of the people. Goycha district with mysterious nature has been a place of saz and word art for centuries. Ashug Alasgar, a descendant of this district, his rich creativity is the peak of all Azerbaijani Ashug poetry, inexhaustible fountain of master craftsmen. The master, who was famous among the people as Dada Alasgar, concentrated all traditions of the art of ozan-Ashiq in his creativity, said poems on various topics, created unprecedented examples in all images.

Folklore works being the product of figurative thinking were a valuable source for classical artists and socio-political, moral, ethical and aesthetic views of the people were successfully created there. Our people's poet Samad Vurgun masterfully benefited from folk literature and used them in his creativity in accordance with the spirit of the work. Like alesker, Vurgun was a beauty ad­mirer. The poet's lyrical heritage praising beauty was derived from ashug poetry and this feature was embedded in the language of his poem.