CHANGING OF AESTHETIC IDEAL AND MISSION OF MASTER IN NATIONAL POETRY

(On the basis of early lyrics of sixtiers)

Abstract

In the article is dealt with the dynamics of an important aesthetic renewal that became widespread in our poetry in the 50s of the last century. So that, the process of re-understanding and appreciation of socio-political reality in our artistic thought and formation of the master's status attracted attention unlike previous times. This new position of the master was fundamentally opposed to the poet's mission that formed under the terrible influence and pressure of Stalinism during the 20s,30s and 40s and essentially became a powerless and laudatory speaker of the policy of party and government. The process of restoration of the national aesthetic ideal and the creation of a new artist position revealed itself in the early creativity of the new poetic generation. The sixtiers – B.Vahabzade, A.Karim, M.Araz, Kh.R.Uluturk, V.Samadoghlu, F.Sadig, N.Hasanzade, I.Ismayilzade and others were the creator of the new master status, and also were literary figures contributing to the consistent artistic vision of this position.