Natıonal self-expressıon formulas ın the chıldren's storıes of Narıman Suleymanov

Abstract

Nariman Suleymanov is one of the brightest artists of children's prose of the 20th century. His
creative talent attracted the interest of the literary and cultural environment from the beginning of the fifties,
and his prose samples of various styles were analyzed in the press pages. Rooted in the rich folklore culture
of the people, the artist found his way into the hearts of children from the very beginning, and contributed to
literature with his colorful stories. As a rule, his unique style, reflection models, original way of thinking,
norms from folk symbolism have manifested themselves in the works of the writer at an increasing pace.
Tales, narratives, parables, proverbs, riddles, riddles, folk ceremonies, children's folklore, sagas, recitations,
anecdotes, fables, etc. as a source of folklore examples followed N. Suleymanov's creativity from the
beginning to the end. “Balaca atlı” (1956), “Qaraçı qızı” (1960), “Qocalar və uşaqlar” (1964), “Sovqat”
(1965), “Növruz gülü” (1966), “Yetər nənə” (1970), “Babamın bağı” (1974), “Göy qurşağı” (1975), “Tək çiçək” (1979) and others the artistic examples in his books are rooted in the understanding and expression of
children's fantasy, wishes and dreams, outlook on life and inner world full of inaccessibility.
These examples at the level of text//text, text//environment, text//subject which are connected to a
fundamental certainty in their context, form a remarkable image with the intention of containing content
lines and national color. It has an educational content in all its aspects and aims to instill ideas from the
archaic layer to the next generation.