Old “new” ethno-poetic complex: poetry and heroism

Abstract

In the article is dealt with the ideological-aesthetic renovation happened in Azerbaijani poetry
during 60-70s of last century. Young pen masters who had just entered the field of literature thought about
how an artist should be in the environment of new socio-political and artistic-aesthetic behaviors, as well as
the essence of the a seriously changed and renewed relations between art and the people. We observe the
trends in forming a new artistic aesthetic position in the creativity of B.Vahabzade, A.Karim, M.Araz,
Kh.R.Uluturk, T.Bayram, F.Goja and others, who were pioneers of the poetic process at that time. In the
research is dealt with the directions and contents of artistic-aesthetic researches of young pen masters in the
analyzed poems. Especially the famous works by A.Karim on Samad Vurgun and Uzeyir Hajibeyov,
T.Bayram on classical poets, Kh.R.Uluturk on social and literary courage of Seyid Imadaddin Nasimi is
reviewed comparatively, poetic discoveries young sixties in this field is generalized.