Performance features of “Hicazkar Ilahi – Sultan Nenem” by Gulnaz Abdullazade in Ilham Nazarov’s interpretation

Abstract

The article deals with the performance features of “Hicazkar İlahi - Sultan Nənəm” by professor Gulnaz Abdullazade, the representative of the national school of composers, the Vice-Rector for Scientific Affairs of Baku Academy of Music named after Uzeyir Hajibeyli, Honored Art Worker, Doctor of Philosophy, in the interpretation of Ilham Nazarov, the first and only domestic vocalist with a countertenor voice timbre. The article describes how the performer paid special attention to the performance features of the musical instrument kamancha in his interpretation, as well. In his studies, the author does not disregard I.Nazarov’s place and role in the Azerbaijani vocal performing art.