The origins of star symbolism as an indicator in Turkish art and its interpretation in contemporary art

Abstract

This study comprehensively examines the modern, abstract, and aesthetic evolution of the “star” motif, one of the most fundamental and universal images in Turkish art, from the proto-Turkic period to contemporary art practices. The research meticulously investigates how the star symbol was shaped within the framework of the earth-water cult and the Sky God (Tengri) in the pre-Islamic period. As a reflection of nature beliefs, stars are considered cosmic codes representing universal order, protection, and political authority (kut).

In this phase, moving away from figurative depictions of religious beliefs and towards geometric and plant forms; Six, eight, and twelve-pointed star forms have become fundamental building blocks representing divine order, infinity, and cosmic division. This process, beginning with the Ribat-i Melik Caravanserai during the Karakhanid period, reached its peak in Seljuk capital architecture (Divriği Grand Mosque, Double Minaret Madrasa) and Ottoman tile, illumination, and decorative arts.

This research aims to demonstrate, through an iconographic approach, that the star form, shaped by ancient belief systems and historical movements, is not merely a decorative element of the past, but rather how it is reproduced in contemporary Turkish art without losing its semantic context. In the section of the study focusing on contemporary art practices, the pictorial approaches of Mutluhan Taş, İlham Enveroğlu, Rauf Tuncer, Ahu Simla Değerli, and Birsen Çeken, the ceramic panel of Halil İbrahim Çakır, and the designs of Ahmet Aytaç are examined through concrete examples.