Non–classical ways in the theatre science in the period of sovereignty

Abstract

Mechanisms of activity of the national theatre science in the period of sovereignty are studied, problems of their way of solution are given in the article in the form of theses. Theatre science of the present is also investigated in comparison with drama study of the past century, there is adduced the conclusion about the uselessness of stereotypical ways, means of expression and productiveness of the use of new alternative forms.