Theatre as social phenomenon and inner monologue of society

Abstract

The article reviews the principles of theatrical art and non­classical theatrology as social phenomenon and inner monologue surrounded by such categories as global unity, cultural innovation, sociological development becoming the essence of enrichment of our lives. It is noted that, only the art of theatre – the source mostly nourishing the human mind, is able to solve the problems on its stage relating to all the spheres of our development. Because the modern theatre being a phenomenon of local sense, social situations is an institute of humanity for all time.