Postmodernist tendencies in the creativity of Farman Gulamov

Abstract

Postmodernism is a style differing from modernism with both positive and negative sides within a certain situation, summing up all political and public changes, also intellectual and cultural experiences in itself. Since 70s’ years of the XX century manifest of effects of a certain extent in the creativity of Farman Gulamov of postmodernist tendencies which were widely spreaded in the world art has determined the subject and form searches on the works in this direction. The darker shades of the shadow falling to the right side of the tablet increased the expressive form of the work. The sharp transitions between those shadows and real live forms give a clearer picture of the image. In his work, the artist was able to simply recreate the characteristic of the ambient atmosphere in the use of colors, without theuse of any outside details. A talented artist who completely refuses to use the details of a room condition or lifestyle, not to mention the whole environment, its colorworld, and its atmospheric effects, as it does or makes in other works. All this achieved the achievement of complementarity by combining theuse of different means in the composition, from the position of the basic principle of unity. So this, again, as mentioned above, provides a basis for past traditions of painting to be approached from the creative prism of the modern era creativity. Thus, final opinion about postmodernist tendencies and their manifestations or representations as howthey act in the works and paintings made by the talented artist Farman Gulamov altogether lays foundation to remark the theory sounded “differences in society are not side-by-side, however individuals are related with each other” that is regarded as of its postmodernist significance.