MYTHOLOGICAL THOUGHT IN JAFAR JABBARLI'S CREATION

Abstract

In the article, the drama "The Bride of Fire" created by Jafar Jabbarli became the object of research and analysis. It is mentioned in the article that Jafar Jabbarli formed concepts such as mythological symbol, chronotope and mythological thinking in the reader throughout his work. It is emphasized that J. Jabbarli improved the possibilities of mutual manifestation of the view of faith in written literature, national consciousness precisely on the basis of ethnic consciousness. A successful feeding of myth and folklore archaic is the quality of J. Jabbarli's drama "The Bride of Fire". Agreeing with the reasoning given as an example, it is also necessary to note that, in addi-tion to the connection with folklore, epics and epics, this drama of Jafar Jabbarli is based on mythological belief as a whole. Throughout his work, Jafar Jabbarli formed concepts such as mytholog-ical symbol, chronotope and mythological thinking in the reader; By basing the drama "Bride of Fire" on the model of myth, he did not aim to create an external effect, but first of all, he took the initiative to illuminate his ideas about man and his pain, joy, problems, spiritual and moral world in a different way. The article also shows that Jafar Jabbarli defined the transition from the Azer-baijani mythological system of thought to the mythic thought; explored Eastern, European and Russian mythological thought system throughout his work; He also compared how cosmological myths are reflected in written cultural examples. In the article, on the basis of the drama "Bride of Fire", J.Jabbarli's characters' speeches and descriptions of his irrational thoughts are reflected and such an approach is brought to the fore; the peculiarities of the idea-content and problematics of the drama are interpreted according to the logic of the text itself; It was investigated by us in the artistic creativity of peoples with the introduction of stable belief systems in cultures to literature.