THE MOTIF “CRANE” IN FOLKLORE AND WRITTEN LITERATURE AND THE PROJECTION OF THE MATHEMATICAL MODEL

Abstract

In this study the motif of crane in folklore and written literature is investigated. It has been considered that the image of the crane is not an accidental image, but is actually observed as a motive present in many literary examples. Thus, the eposes such as “Ag Ashiq and Susanbar”, “Koroglu”, “Asli and Karam”, the quatrains “Cranes” by Molla Veli Vidadi, Molla Panah Vagif, Gasim bey Zakir have been investigated from this aspect. It is interesting that the poem was written mainly in abroad and through this motif the longing for the motherland or the love of the rest of the native land was expressed. Even poems that were not written in expatriation reflected an inner sense of expatriation. So, the lyrical hero reciting this poem feels himself in the strange place, expresses this motif in loneliness. However, the majority of poems on this topic are written only abroad, which characterizes the motif of the poems called “Cranes”. Here it is pointed out that this motive is involved in the entire literary and cultural boundaries of written and oral literature. In addition, the specific specificity of this motif has been clarified. It may also be of interest to the scientific audience as a new presentation of the study, in which artistic-literary examples form a mathematical model, are located in our thinking as a mathematical structure, but are revealed as artistic expression. Because the existence of the mathematical model in literary works also realizes the importance of integrating world sciences. Thus, it is necessary not only to consider literary works with narrative content, but also to study deep layers from a theoretical point of view. The research work is rich in innovations for the scientific community and necessary to be used.