Synergetic aspect of literary text (on the basis of the masnavi “Iskandarnamah” by Nizami Ganjavi)

Abstract

In the second half of 20th century new scientific fields and methodological concepts emerged. Cybernetics, information theories, semiotics, structuralism, system theories and new paradigms formed by synergetics made a new look at both exact sciences and humanities inevitable.
In this regard, researching the literary texts with the systematic synergetic method aims expanding interdisciplinary communication, and taking into account at all the elements involved text technology. In our research on Nizami Ganjavi’s poem Iskandarnamah, the diversification or dissipativity formed by mythical images and motifs within the literary text, the informativity of myth, its perfection and ornamentality have been studied. Literary text and a combination of myth text distributed in all its layers. Myth is a cognitive process, although explanation is not its direct function, as the intuitive comprehension of reality, the style of mystical perception, this phenomenon, the most important feature of which is imagery, is the ancient way of apprehending the world. The fact that the mythical-symbolic sense of creation and nature, a number of conclusions are scientific has been confirmed by later research. Mythological views known from myths are in some cases clearly in line with modern scientific theoretical concepts. From this point of view, it was considered expedient for us to study the issues of the existence of myth as a complex system within the literary text, its ability to restore and organize itself, and thus to be in unity with the traditional one.